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People’s Daily figure puts AI at 95% of China’s new micro-drama output

Reality Check with Ross Coulthart · AI has already taken over movie sets in parts of China. Is Hollywood next? | Jesse Weber Live · July 22, 2026
People’s Daily figure puts AI at 95% of China’s new micro-drama output
Reality Check with Ross Coulthart
Reality Check with Ross Coulthart
AI has already taken over movie sets in parts of China. Is Hollywood next? | Jesse Weber Live
"THE NUMBERS ARE GRIM, ACCORDING TO THE STATE-RUN PEOPLE'S DAILY NEWSPAPER, ABOUT 95% OF THE MICRO DRAMA IS PRODUCED IN THE FIRST 3 MONTHS OF THIS YEAR WERE ENTIRELY AI CREATED. AND WHAT'S HAPPENING OVERSEAS COULD BE A PREVIEW OF WHAT'S ABOUT TO HAPPEN IN HOLLYWOOD."
NewsNation host Jesse Weber cites China’s state-run People’s Daily as reporting that roughly 95% of micro-dramas produced in the first three months of the year were created entirely with AI. Weber frames the figure as a warning for Hollywood, where studios and unions are still negotiating how to handle AI’s use in writing, production and performances.

About this episode

In this short NewsNation segment, host Jesse Weber reports on the rapid uptake of AI tools in China’s “micro-drama” sector — vertical, sub-90-second serialised shows made for mobile audiences — and argues it offers a cautionary signal for Hollywood. Weber says creators are using AI to generate scripts, craft backgrounds and create virtual actors at a fraction of traditional costs, and he cites the state-run People’s Daily as putting AI-created micro-dramas at about 95% of output in the first three months of the year.

Weber then interviews actor and writer Joe Flanigan (a SAG-AFTRA member), who calls the trend a “huge warning sign” amid existing industry pressures such as streaming economics. Flanigan claims some writers are already using AI to draft scripts and then putting their own names on the work. He argues that while major stars may be relatively insulated in the near term, “working class” roles in Hollywood — including background performers and some crew — are likely to be hit first, especially in short-form content. Flanigan also raises a broader concern about storytelling and “human experience” if narratives are increasingly generated by predictive models rather than lived experience.

The segment touches on union guardrails, with Flanigan pointing to Writers Guild language asserting a writer is a human being, and he describes disputes over “recognisability” thresholds for using a performer’s likeness.

Key points:

- Weber cites People’s Daily: ~95% of micro-dramas early-year output “entirely AI created”.

- Micro-dramas are described as vertical, under 90 seconds, and mobile-first.

- AI is said to be used for scripts, backgrounds, and virtual actors.

- Flanigan calls AI adoption a “huge warning sign” for Hollywood.

- He claims some writers are using AI and attributing the scripts to themselves.

- He predicts entry-level roles and background performers will be affected first.

- He discusses union guardrails and disputes over likeness/recognisability.

Key takeaways

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