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Victor Davis Hanson Criticizes Christopher Nolan for Excluding All Greek Actors from Odyssey

Piers Morgan Uncensored · "It's JARRING!" Christopher Nolan's 'The Odyssey' DISMANTLED By Victor Davis Hanson & Nerdrotic · July 15, 2026
Victor Davis Hanson Criticizes Christopher Nolan for Excluding All Greek Actors from Odyssey
Piers Morgan Uncensored
Piers Morgan Uncensored
"It's JARRING!" Christopher Nolan's 'The Odyssey' DISMANTLED By Victor Davis Hanson & Nerdrotic
"To make this national epic, which the Greek people feel is a continuous tradition from the 7th, 8th century and not have a single Greek actress or actor is, is kind of jarring when you go out of your way to get other people who would cause controversy and sometimes in a subversive manner."
Historian Victor Davis Hanson argues that Christopher Nolan's decision to cast no Greek actors in The Odyssey—a foundational Greek epic—feels like a deliberate slight to the Greek people, especially when the director has gone out of his way to cast actors who provoke controversy. Hanson contrasts this with Hollywood's historical practice of at least attempting physical or cultural authenticity, even when casting outside ethnicities. His criticism highlights the tension between creative freedom and cultural respect in adapting national epics.

About this episode

Piers Morgan Uncensored convenes a multi-part panel to debate the firestorm surrounding Christopher Nolan's new film adaptation of Homer's The Odyssey, which has become a cultural flashpoint over its casting choices and perceived feminist reimagining. The episode features classicists Victor Davis Hanson, Daniel Mendelsohn, and A.N. Wilson, alongside YouTube film critics the Critical Drinker and Nerdrotic, plus political commentator Marc Lamont Hill. The central controversy involves Lupita Nyong'o playing Helen of Troy and Elliot Page cast as the Greek soldier Sinon, with critics arguing the choices prioritize contemporary identity politics over historical authenticity. Victor Davis Hanson delivers pointed criticism that no Greek actors were cast in Greece's national epic, calling it jarring and potentially insulting to Greek culture. Hanson argues Homer's work was already remarkably feminist for its era, featuring powerful female characters like Athena, Penelope, and Circe, making modern feminist reimagining unnecessary. Daniel Mendelsohn counters that Helen appears for barely 45 seconds in the film, making the outrage disproportionate, while emphasizing that the real test is whether Nolan captures Homer's narrative complexity and Odysseus's multifaceted character. A.N. Wilson defends his daughter Emily Wilson's translation that reportedly inspired the film, noting Homer himself portrayed Odysseus as a charming liar. The Critical Drinker and Nerdrotic frame the casting as deliberately subversive rather than merit-based, part of a decade-long culture war in Hollywood. Marc Lamont Hill pushes back, arguing European culture faces no existential threat from one alternate interpretation and that every film adaptation takes liberties with source material. The debate extends to broader questions about race-swapping in adaptations, with comparisons to historical examples like Charlton Heston as Moses and Eartha Kitt as Helen of Troy in the 1950s. Early box office projections suggest The Odyssey will open to $80-100 million domestically, though critics debate whether it will match Oppenheimer's success without a Barbenheimer-style cultural moment.

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