Danny McBride says Hollywood executives gave artists freedom by not visiting sets
"We learned that honestly when we were shooting eastbound and we were shooting in Wilmington, North Carolina and the idea that there was not a direct flight at that time from LA to North Carolina, we noticed that the executives never came to set. We're like, 'Oh, we just got to choose cities that it's not easy to get to from LA and then we'll have more freedom.'"
About this episode
Comedian and showrunner Danny McBride joins Rich Roll to discuss his new short story collection, Thrilling Tales of Modern Men, which explores contemporary masculinity through characters grappling with disappointment and delusion. McBride, creator of Eastbound & Down, Vice Principals, and The Righteous Gemstones, reveals how his upbringing watching 1980s action heroes created unrealistic expectations for an entire generation of men who ended up working desk jobs instead of becoming Rambo. The conversation ranges from McBride's strategic decision to shoot productions in remote locations to avoid studio interference, to his admission that a megachurch pastor secretly validated his portrayal of evangelical hypocrisy. McBride discusses the collapse of theatrical comedy and its migration to streaming television, where niche voices can thrive without being diluted for mass audiences. He opens up about balancing his role as showrunner and business owner with fatherhood, his concerns about AI and overseas production threatening U.S. entertainment jobs, and why he moved his entire operation to Charleston, South Carolina. The interview also covers his early career breakthrough at North Carolina School of the Arts, where he met collaborators David Gordon Green and Jody Hill, his philosophy of treating comedic characters with depth and humanity rather than as joke vehicles, and his advice for young artists to find sustainable work outside the Hollywood system. McBride shares behind-the-scenes stories from Tropic Thunder, explains his voracious reading habits as an antidote to screen addiction, and discusses his upcoming relaunch of G.I. Joe for Paramount.
Key takeaways
- Danny McBride reveals shooting in locations without direct LA flights kept studio executives away from sets, allowing greater creative freedom for his productions.
- McBride argues theatrical comedy died because streaming TV allows niche comedic voices to thrive without being diluted for four-quadrant mass appeal.
- A megachurch pastor McBride consulted for The Righteous Gemstones research later whispered he couldn't publicly admit watching but said the portrayal was accurate.
- McBride expresses concern about AI and overseas production threatening middle-class U.S. entertainment jobs, feeling pressure to continuously create work for his Charleston crew.
- The comedian explains his characters explore men whose cinematic hero fantasies from 1980s action films crashed against the reality of taking desk jobs.
- McBride moved his production company to Charleston to provide steady local employment and escape the LA bubble, bringing collaborators from North Carolina School of the Arts.
- McBride's new book Thrilling Tales of Modern Men is a short story collection examining modern masculinity through antiheroes defined by disappointment and self-sabotage.