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Sherman Credits Loving Parents for Her Confidence After Michaels Observation

Good Hang with Amy Poehler · Sarah Sherman · June 16, 2026
Sherman Credits Loving Parents for Her Confidence After Michaels Observation
Good Hang with Amy Poehler
Good Hang with Amy Poehler
Sarah Sherman
"He said, like, after I did, I think, a squirrel or some fucking animal, he said, when you did that, I could tell you were loved as a child. And I was like, clocked."
Lorne Michaels told Sarah Sherman he could tell from her performance that she was loved as a child. Sherman acknowledged this and later reflected on loving parents privilege as the source of her confidence, saying unconditional parental support creates scaffolding that allows performers to take risks without fear of losing their family.

About this episode

Amy Poehler hosts SNL cast member Sarah Sherman for a wide-ranging conversation covering Sherman's unconventional path to mainstream comedy success. Sherman, who just completed her fifth season on SNL and released an HBO special titled Sarah Squirm: Live and in the Flesh, discusses her roots in Chicago's DIY performance art scene, her early failures auditioning for SNL at age 22, and how Lorne Michaels personally vetoed her stage name Sarah Squirm when she was hired. The episode reveals Sherman's creative process working from the outside in through costumes and prosthetics rather than character motivation, a method she now questions after five seasons. Poehler, drawing on her own SNL experience, probes Sherman's relationship with confidence, failure, and her unique aesthetic that blends body horror with comedy. Sherman credits her supportive parents for giving her the foundation to take creative risks and discusses working with makeup legend Louis Zakarian on elaborate transformations. She opens up about recurring stress dreams involving missing writing deadlines and disappointing authority figures. The conversation also touches on Sherman's collaboration with John Waters for her special, her love of Real Housewives and soap operas, and her early comedy shows in basements with names like Hell Trap Nightmare featuring extreme performance art. Poehler and Sherman share a mutual appreciation for using comedy to pressure societal norms around femininity and disgust while maintaining warmth and accessibility.

Key takeaways

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