← All stories
Entertainment

Nolan Uses Feminist Translation That Calls Odysseus Problematic Instead of Cunning

Matt Walsh Show · Ep. 1779 - The Odyssey Looks Awful. Here’s Why. · May 13, 2026
Nolan Uses Feminist Translation That Calls Odysseus Problematic Instead of Cunning
Matt Walsh Show
Matt Walsh Show
Ep. 1779 - The Odyssey Looks Awful. Here’s Why.
"Previous translators have called Odysseus shifty, cunning, and 100 other things. After grappling with the alternatives, Wilson chose complicated, hoping also to convey the sense of problematic. Her first sentence, tell me about a complicated man, instantly makes him our familiar charismatic prince who's too impossible to live with and too desirable to live without."
Walsh reveals that Christopher Nolan based his Odyssey screenplay on Emily Wilson's 2017 translation, which explicitly reframes Odysseus as problematic rather than cunning or heroic. Walsh argues Wilson deliberately stripped masculine themes from Homer's epic, turning phrases like skilled in all ways of contending into tell me about a complicated man to undermine the hero's character.

About this episode

Matt Walsh delivers a scathing critique of Christopher Nolan's upcoming adaptation of Homer's Odyssey, arguing the acclaimed director is deliberately bastardizing one of Western civilization's foundational epics through race-swapping, feminist revisionism, and tone-deaf creative choices. Walsh focuses primarily on Nolan's decision to cast Kenyan actress Lupita Nyong'o as Helen of Troy, the woman Homer explicitly described as fair-haired and white-armed, calling it an absurd choice that would never be tolerated in reverse. He reveals that Nolan based his screenplay on Emily Wilson's 2017 translation, which reframes the cunning hero Odysseus as problematic and deliberately strips masculine themes from the text. Walsh mocks several of Nolan's creative decisions revealed in a Time magazine profile, including casting rapper Travis Scott as a Greek bard because rap is supposedly analogous to oral poetry, and using synthesizers in the score while claiming to avoid orchestras for historical accuracy. The episode also examines unconfirmed reports that transgender actress Ellen Page was cast as Achilles. Walsh extends his criticism beyond The Odyssey to Angel Studios' new Animal Farm adaptation, which inverts George Orwell's anti-communist allegory to make capitalism the villain instead. Walsh argues these examples represent a broader Hollywood pattern of cynically exploiting classic works while deliberately subverting their core themes and messages. He contrasts Nolan unfavorably with Robert Eggers, whose film The Northman successfully captured the mystical worldview of ancient Vikings. Walsh concludes that despite Nolan's technical gifts, his moral cowardice and inability to challenge contemporary progressive orthodoxy will prevent him from ever becoming a truly great artist.

Key takeaways

More stories More from Matt Walsh Show