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Orhun Tamor's Rental Car Vandalized in Houston Costs Him Over One Thousand Dollars

Kill Tony · #767 - LUIS J GOMEZ + ARI SHAFFIR + PEYTON RUDDY · May 11, 2026
Orhun Tamor's Rental Car Vandalized in Houston Costs Him Over One Thousand Dollars
Kill Tony
Kill Tony
#767 - LUIS J GOMEZ + ARI SHAFFIR + PEYTON RUDDY
"I rented a car and I got the cheapest insurance because I was trying to save $17.84 and somebody vandalized my car. They, I think, took a big stick with a pointy end to the hood, and yeah, and they scratched it. Like, they made it so— 'cause I was gonna go to a Mexican guy to get it fixed, but it was un-Mexicanable."
Comedian Orhun Tamor revealed his rental car was heavily vandalized during a Houston comedy run, costing him $1,040 because he opted for cheaper insurance to save less than $18. Houston comics reportedly told him vandalism is common in the city.

About this episode

Tony Hinchcliffe hosted a high-energy Kill Tony episode at the Comedy Mothership in Austin with a rare triple-guest panel: veteran comics Ari Shaffir and Luis J. Gomez, joined by breakout talent Peyton Ruddy in his first-ever appearance. The night featured over a dozen amateur and professional comedians pulled from a bucket, including standout performances from regular Dedrick Flynn and golden ticket winner Orhun Tamor. The episode delivered shocking revelations, including comedian Royal Oaks disclosing he served time for a life-without-parole drug trafficking conviction that was later overturned due to police corruption, and that he was involved in a viral assault on a heckler with a microphone. Other notable moments included Stephanie Ann's 350-pound weight loss journey, Surgeon's immigration story via the diversity lottery fleeing Nepal's civil war, and a failed Mexican drum-off competition. The panel's chemistry was electric, with Peyton Ruddy earning immediate praise and invitations to Skank Fest and Tony's secret show. The episode also featured Wee Man promoting the new Jackass film and closed with a killer set from rising regular Pat O'Neill, whose dark, tight joke-writing drew comparisons to the night's best. Hinchcliffe maintained control throughout, balancing roast-heavy interviews with genuine curiosity about each comic's background.

Key takeaways

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