What happened in this episode?
Conan O’Brien talks with Owen Wilson about Wilson’s early ambitions, his route into filmmaking, and his long-running creative relationship with director Wes Anderson. Wilson says his original plan was to work in advertising, describing an ongoing appreciation for well-written TV commercials and how memorable copy can ‘stick with you’. O’Brien recalls first seeing Bottle Rocket and having Wilson on his early Late Night show to promote the film, praising what he describes as Anderson’s non-linear pacing and distinctive tone.
Wilson recounts that he met Anderson through a connection from military school: a roommate from Houston who later linked him to Anderson when Wilson attended the University of Texas. Both men discuss luck and contingency in careers, with O’Brien offering advice he says he gives to his children about not treating early setbacks as definitive.
The most specific anecdote concerns Rushmore. Wilson says his father, whom he describes as smart and funny, wrote the monologue in which Bill Murray’s character targets ‘rich kids’ and inherited wealth — and that his father did not receive a credit. Wilson adds a family memory of his father believing ‘his scene’ got the biggest laugh at a festival screening. The episode closes with more humour about Wilson’s father, including a recurring family joke about schooling and degrees.