Diary of a CEO
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Rick Rubin: What Jay-Z Did in 30 Minutes Left Me Speechless!

Diary of a CEO · 21 September 2026 · 2h 46m · 3 Egleze moments
Rick Rubin: What Jay-Z Did in 30 Minutes Left Me Speechless! ▶

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Music producer and author Rick Rubin joins Steven Bartlett to discuss how he approaches creative work across music and other problem-solving settings, arguing that artists should prioritise intuition and personal taste over metrics and near-term commercial incentives. Rubin illustrates the point with industry anecdotes, including his recollection that a Def Jam president initially dismissed Jay-Z’s ‘99 Problems’ as “never” being a single because it did not sound like radio at the time.

Rubin describes practices he says help him stay grounded, including transcendental meditation, and offers a framework of creative phases (seed, experimentation, craft, completion) where timelines cannot be forced early. He also speaks at length about identity, risk-taking, and the idea of “resetting” life choices rather than feeling trapped.

In a personal section, Rubin recounts a depressive episode in his early 30s triggered by a business upheaval, describing panic attacks, insomnia, heavy reliance on therapy, and eventually antidepressant medication. He says the experience changed his outlook and improved his ability to empathise with artists facing crises.

The conversation turns to generative AI, where Rubin argues creativity depends on point of view and questions whether AI can supply that, while still seeing it as a tool that could lower barriers to making art. He also discusses his new documentary project with Jay-Z and why he wanted to focus on the rapper’s writing craft rather than his business image.

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Named speakers identified in Egleze's source-linked moments from this episode.

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Programme
Diary of a CEO
Published
21 September 2026
Duration
2h 46m
Original episode
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Egleze verifies the speaker, source and timestamp for each linked moment. Unless a moment is explicitly marked independently verified, statements remain attributed claims by the named speaker rather than established facts.

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3 moments from this episode

Source-linked · editorially selected
01
Entertainment

Rick Rubin recalls Def Jam president saying Jay-Z’s ‘99 Problems’ would ‘never be a single’

Rick Rubin · at 18:15 · Attributed speaker claim
I remember giving it to the people at Def Jam and the person who was the president of Def Jam at the time listened to and he's like, "Oh, this is great. It'll never be a single, but it'll be a great album track."

Rick Rubin says that after he and Jay-Z made ‘99 Problems’, he played the track to people at Def Jam and the label’s president at the time told him it would “never be a single” but would be a strong album track. Rubin says the executive’s reasoning was that it did not sound like what was already on radio, which Rubin frames as an old, risk-averse way of thinking.

02
Entertainment

Rick Rubin recounts telling a hospitalised friend: ‘You just hit the reset button’

Rick Rubin · at 1:01:34 · Attributed speaker claim
And I went in and I looked down and I said, again, I don't know where this came from, but it came. I said, "This may be hard for you to see right now, but you're in the sweet spot."

Rick Rubin describes visiting a friend in hospital during a severe personal crisis and hearing earlier visitors speak “as if he had died”. Rubin says he told the friend, “This may be hard for you to see right now, but you're in the sweet spot,” and framed the moment as a “reset button” that could free him from obligations he hated and allow him to start over.

03
Entertainment

Rick Rubin recalls declining to produce Guns N’ Roses’ debut album

Rick Rubin · at 2:04:38 · Attributed speaker claim
I was asked to produce Guns and Roses's first album and I turned them down because I went to see him live, played in a little club in a basement, maybe 30 people there, and they were they were a hair band at the time with makeup and stuff and I just looked like I don't really get it.

Rick Rubin recalls being asked to produce Guns N’ Roses’ first album but turning it down after seeing an early basement-club show. He says the band came across as a make-up-wearing “hair band” at the time, and argues it was for the best because his involvement might have changed their direction.