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David Foster: Why I Had to Lie to Clive Davis

Club Random · 15 September 2026 · 5m · 1 Egleze moment
David Foster: Why I Had to Lie to Clive Davis ▶

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David Foster discusses his work with Whitney Houston and recounts an anecdote about delivering a deliberately quick “rough” mix of “I Will Always Love You” to label executive Clive Davis, expecting Davis to demand changes. Foster says Davis instead repeatedly insisted the first version should be released, even after Foster sent revised mixes with technical and arrangement tweaks. Foster describes the disagreement turning into a phone argument, after which he says he admitted the “approved” mix only existed on a single DAT tape Davis possessed; Foster claims Davis had carried it in his pocket for months and played it widely, and that the tape was ultimately used for mastering.

Maher then pivots to taste and reputation in record-making, arguing for Phil Spector’s string-and-choir treatment on The Beatles’ “The Long and Winding Road”, while acknowledging Spector’s later criminal conviction. Foster agrees the arrangement suits the song.

The conversation ends with a brief dispute over Paul McCartney’s 1989 album “Flowers in the Dirt”. Foster says he produced three songs but cannot recall titles; Maher challenges his recollection and defends the album’s quality, citing tracks such as “My Brave Face” and “This One”.

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Programme
Club Random
Published
15 September 2026
Duration
5m
Original episode
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Egleze verifies the speaker, source and timestamp for each linked moment. Unless a moment is explicitly marked independently verified, statements remain attributed claims by the named speaker rather than established facts.

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David Foster recalls Clive Davis insisting on Whitney Houston rough mix

David Foster · at 2:47 · Attributed speaker claim
He said, "I've carried that around in my pocket all summer. I've played it for everybody. And that's the record." So, we took that digital audio tape, little thing, took it to the mastering, and that became the record, just as you said.

Producer David Foster tells Bill Maher that Clive Davis wanted to release Whitney Houston’s “I Will Always Love You” using Foster’s rushed rough mix. Foster says Davis rejected later revisions and insisted the early version was the one to master. Foster also recalls Davis saying he carried the DAT tape in his pocket and played it for others that summer.